![]() All of them being great, but not matching my soundly desires. Next was some Dr Z models, followed by the Toneking Imperials and some Suhr amps. Back in Germany I started checking old and new DLX Reverbs – nothing for me, sorry. One of the guitarists had an old Fender DLX Reverb and it did not only sound pretty cool, the grab and go easyness was just to cool to be true. ![]() My search for the perfect amph was a long one! In April 2014 I was in Seattle and played some Blues sessions. I sold it to a very talented young musiscian who will take full advantage of this amph!īack to the TR SP 35. ![]() In the first instance I borrowed an original 1964 Fender Bassman 2x12 cab from our bassplayer, but the JTM wasn't capable of satisfying me anymore. Something was missing, my style changed from being heavily Hendrix influenced to finding my own voice, not to mention I was no longer willing to carry a 4x12. This amp was my best buddy throghout 150+ shows, studio sessions etc, but it came the time where I felt like the sound I was getting from the JTM was blowing away others, but left me untouched in the recent time. There's quite a bunch of speculation on the web that proofs to be wrong once you have played or own this beautiful masterpiece.įirst of all – I was the proud owner of an excellent sounding Marshall JTM 45 Reissue, equipped with Russian KT-66 tubes, tweaked a little bit to sound warmer. I'd like to give you a hands on review of my Two Rock Studio Pro 35 combo. Attention – long intro – bring time to read :-) ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |